Japanese Origami is an art of folding objects out of paper
without cutting, pasting, or decorating. Its early history
is not known, though it seems to have developed from the
older art of folding cloth. In Japan, origami has reached
its greatest development, with hundreds of traditional folds
and an extensive literature dealing with the art. Japanese
folds divide roughly into two categories. They are - figures
used in ceremonial etiquette such as noshi, folded
decorations attached to gifts; and birds, animals, fish,
insects, flowers, human figures, furniture, and other
objects. Some of the animals have amusing action features.
The best known is the bird that flaps its wings when its
tail is pulled and the frog that hops when its back is
tapped.
History of Origami
Yoshizawa Akira of Tokyo is considered the greatest of
modern paper folders. He wrote several books on origami and
created a large number of new, often fantastically complex,
figures possessing great realism and delicate beauty using
the art of origami.
Paper folding also has flourished in Spain and South
America. Miguel de Unamuno, Spanish writer and philosopher,
made a hobby of paper folding. He invented many new animal
constructions. He also wrote Amor y pedagogía, a humorous
essay on the art way back in 190 2.
In South America, Vicente Solórzano Sagredo of Argentina was
the leading expert on paper folding and the author of the
most comprehensive manuals on the art in Spanish. George
Rhoads of Evanston, Ill., and Giuseppe Baggi of New York
also achieved distinction in this art. Apart from the
Oriental tradition, Friedrich Froebel introduced the folding
of colored papers into ornamental designs into the
kindergarten movement that he initiated in Germany in the
19th century.
Later, the Bauhaus, a famous German school of design,
stressed the folding of paper as a method of training
students for commercial design. The use of folded paper in
mathematical recreations is similarly independent of
origami. Particularly intriguing are A.H. Stone's flexagons
a variety of paper structures that alter their faces in
curious ways when properly flexed.